blogathon · classic film · Uncategorized

Most everything I need to know, I learned from classic movies.

I could fill a book with lessons learned from Classic Hollywood. I’m sure many of us could. My education started when I was a teenager and the library of knowledge continues to expand. In no particular order, here’s some of the lessons I’ve collected from silents, screwball comedies, pre codes, musicals, and everything in between.

On passing judgment
See: The Philadelphia Story (1940)
“The time to make up your mind about people is never.”
-Tracy Samantha Lord

See: 12 Angry Men (1957)
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On difficult/challenging situations
See: 42nd Street (1933)
“You keep your feet on the ground and your head on those shoulders of yours and go out, and Sawyer, you’re going out a youngster, but you’ve got to come back a star!”
-Julian Marsh
I’m Sawyer. You’re Sawyer. Sometimes I gotta be Julian and give myself this talk.

See: The Cameraman (1928)img_4483

On getting the most out of life
See: Our Dancing Daughters (1928)

See: Bringing Up Baby (1938)
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Life should be more like a screwball comedy. It’s better to embrace the madcap misadventures that life or daffy women have to offer. It may result in plenty of pain, but never dullness.

On cynical wisdom
See: Mr. Deeds Goes to Town (1936), Mr. Smith Goes to Washington (1939), and Meet John Doe (1941), all directed by Frank Capra.
Homespun decency and sincerity triumph over corrupt machines every time.

On love, marriage and relationships

Friendship
See: It’s a Wonderful Life (1946)
“No man is a failure who has friends.”

Falling in love/delirium
See: practically everything from the 1920s-1950s.
Kissing is best with the swell of an orchestra, love often happens at first sight.

See: The Gay Divorcee (1934), Top Hat (1935), Swing Time (1936), and A Damsel in Distress (1937).
img_4137It’s the push and pull in the dance of resistance that makes any romance.

Marriage
See: The Thin Man series

annex-powell-william-after-the-thin-man_01
Marriage is fun (!), usually with a cocktail and while solving a murder case.

On men, those fickle creatures

See: Why Be Good? (1929)
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See: Penthouse (1933)

On finding Mr. Right, which is impossible
See:

  1. Charles Farrell in Lucky Star (1929)
  2. George Brent in ‘Til We Meet Again (1940)
  3. Fred Astaire in You’ll Never Get Rich (1941) & You Were Never Lovelier (1942)
  4. Robert Walker in The Clock (1945)
  5. Peter Lawford in Little Women (1949)
  6. William Holden in Born Yesterday (1950)
  7. Howard Keel in Three Guys Named Mike (1951)
  8. Gene Kelly in Brigadoon (1954)
  9. Van Johnson in practically everything
  10. Ricardo Montalban in general

annex-montalban-ricardo_01

Even if I wanted to get married, you tell me, when all of the above are dead or “not real”…what is the POINT? Sidney Poitier alas, is also too old for me.

On female empowerment/loving women so much because we’re amazing (the future is female and so was the past)
See:

  1. Barbara Stanwyck in Baby Face (1931), Night Nurse (1933), Stella Dallas (1937), Ball of Fire (1941), Meet John Doe (1941)
  2. Bette Davis in Of Human Bondage (1934), Dark Victory (1939), The Little Foxes (1941)
  3. Myrna Loy in When Ladies Meet (1933), Manhattan Melodrama (1934), The Thin Man series
  4. Joan Crawford in Sadie McKee (1934), Mildred Pierce (1945)
  5. Dolores del Rio in In Caliente (1935)
  6. Olivia de Havilland in The Adventures of Robin Hood (1938), Gone With the Wind (1939), To Each His Own (1946), The Snake Pit (1948), The Heiress (1949)
  7. Katharine Hepburn in Holiday (1938), The Philadelphia Story (1940)
  8. Ginger Rogers in Vivacious Lady (1938), Kitty Foyle (1940)
  9. Maureen O’Hara in Dance, Girl, Dance (1940)
  10. Rosalind Russell in His Girl Friday (1940)
  11. Ann Sheridan in They Drive by Night (1940), I Was a Male War Bride (1949)
  12. Lena Horne in Stormy Weather (1943)
  13. Judy Garland in Meet Me in St. Louis (1944), The Harvey Girls (1946), A Star is Born (1954)
  14. Setsuko Hara in No Regrets for Our Youth (1946), Hakuchi (1951)
  15. Gene Tierney in The Ghost and Mrs. Muir (1947), Whirlpool (1949)
  16. Susan Hayward in Smash-Up: The Story of a Woman (1947), I Want to Live! (1958), Ada (1961)
  17. Jane Wyman in Johnny Belinda (1948), Three Guys Named Mike (1951), Miracle in the Rain (1956)
  18. June Allyson in Little Women (1949), The Opposite Sex (1956)
  19. Eleanor Parker in Caged (1950)
  20. Cyd Charisse in Singin’ in the Rain (1952), Silk Stockings (1957)
  21. Kathryn Grayson in Kiss Me Kate (1953)
  22. Audrey Hepburn in Roman Holiday (1953), The Nun’s Story (1959)
  23. Dorothy Dandridge in Carmen Jones (1954)
  24. Lillian Gish in The Night of the Hunter (1955)
  25. Elizabeth Taylor in Giant (1956)
  26. Eartha Kitt in Anna Lucasta (1958)
  27. Jean Simmons in Home Before Dark (1958)
  28. Joanne Woodward in The Long, Hot Summer (1958)
  29. Natalie Wood in Splendor in the Grass (1961)
  30. Vivien Leigh in Ship of Fools (1965)

Narrowing it down to 30 still only just scratched the surface. And of course, they were all unstoppable off screen too, women who inspire me endlessly.

On happiness

It’s dancing and singing in the rain.
singin-in-the-rain-original

It’s doing just whatever I like, the whole day long.
gac_romanholiday

It’s laughing until you can’t breathe.
img_4181

It’s changing people’s lives and their outlooks on life.

It’s glorious technicolor, breathtaking cinemascope, and stereophonic sound.

Happiness is watching and loving classic movies!

_________________

Big thanks to Silver Screenings and Speakeasy for hosting such a fabulous blogathon! Click on the banner to learn more from the movies!

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9 thoughts on “Most everything I need to know, I learned from classic movies.

  1. This is such a wonderful post, and you started it off with one of my all-time favorite quotes (from The Philadelphia Story)! I especially love the section that highlights so many empowering women in the movies. ❤

    I also agree with you on how movies give high expectations for love and marriage lol. I basically relate to Olivia in To Each His Own; when a guy said her expectations on love are too high, she replies, "Well, if it's not like that, then I don't want it."

    Liked by 1 person

    1. Thank you!! If I was a bit more creative/had more time, I would’ve included so much more. I hope someone compiles a list of classic film lessons for a book someday. You could get tons of people’s perspectives all in one place. And I love that line from To Each His Own! It’s better to have high expectations than to settle. ❤

      Liked by 1 person

  2. I love that Warner Baxter speech from 42nd Street. We all need to give ourselves that talk from time to time, don’t we?

    What an inspiring, uplifting post! This, by itself, has all the reasons why classic film is marvelous. You mentioned discovering classic film as a teenager. Did you discover them yourself, or did someone else introduce you to them?

    Thank you for joining the blogathon with this wonderful tribute to classic film. 🙂

    Liked by 1 person

    1. Thank you for reading and for the wonderful comment as always. Thing is, I think even more could be added!

      I did discover them on my own, completely by accident. I often wonder how different life would be if I’d found them much earlier. 🙂

      Liked by 1 person

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