Based on Erich Maria Remarque’s novel of the same name, Lewis Milestone’s All Quiet on the Western Front proves to be as landmark as the book itself. A group of bright and idealistic college students eagerly enlist in the army to fight in World War I, only to find their romantic illusions shattered on the battlefields of war. The rosy glow of patriotism is immediately extinguished.
This film has been on my watch list for years, as the novel is one of my all time favorites. I read it for a war literature unit in one of my English courses, and found it to be the most harrowing work we read. And we also read a collection of brutally graphic stories about the Vietnam War.
Both the novel and film depict the devastation of war not only through the carnage but in the quieter moments. The image of severed hands clinging to barbed wire, illuminated by flashes of gunfire, is one I can’t forget. But there were scenes away from the battlefield that were equally jarring, if not more so. I haven’t revisited the book in some time, but there is one instance that I remember distinctly and which came rushing back to me as I watched it on film. One of the boys, Franz, is in the hospital after his leg has been amputated. Another, Mueller, notices Franz’s boots and asks if he can keep them since Franz won’t need them anymore. He’s so absorbed in his own plight, unaware of his friend’s anguish.
While in the trenches, Paul (Lew Ayres) pleads forgiveness from the enemy soldier he has killed. He spends the whole night with this soldier, trying in vain to keep him alive before bitterly realizing that it’s impossible. It’s one of the most arresting moments in the film, that summarily captures the senselessness of war while preserving Paul’s humanity.
“Oh, God, why did they do this to us? We only wanted to live, you and I. If we throw away these rifles and these uniforms, you could be my brother…”
This is one of the greatest antiwar films I’ve ever seen, though I haven’t watched many. There’s a strong indictment of blind patriotism, which sounds like a clarion call now more than ever. These boys are essentially brainwashed by a cherished authority figure, their professor, who fills their mind with grand visions of victory. Dying for the fatherland is an honor; especially if you’re not the one who has to die.
“Here is a glorious beginning for your lives.”
This post is for the 2017 Blind Spot Series, hosted by Ryan at The Matinee.
A film which gives rise to the deepest of emotions so many years after it was created is truly a classic. I truly enjoyed your thoughtful review.
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I put this off for years because of the grim subject matter, I did the same thing with The Big Parade, despite hearing how good it was but finally buckled down when I decided to see all the Best Picture winners. It was so powerful and amazingly moving, one of the most impactful films I’ve ever seen. Incredible that this came so soon after sound came along, so many of those films are clunky and stiff but this most certainly isn’t.
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I like the way you wrote about this film, the only film with my favorite actor, Lew Ayres, that is really remembered. I have never seen it, since I know it will be terribly tragic and rather violent. Also, I do not love war films. Someday I will watch it, though. Thank you for writing kindly about Lew Ayres; nobody seems to spare a thought for him anymore.
Yours Hopefully,
Tiffany Brannan
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Hi Tiffany! Thanks for the comment! I meant to reply much sooner but forgot. I like Lew Ayres. Marya Gates is a very passionate Ayres fan. Her site is here: https://cinema-fanatic.com/
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It is good to hear from you. Thank you for your reply. I appreciate the contact with Marya Gates. I will contact her. Did you receive my comment a few months ago? I nominated you for a Liebster Award in this following article: https://wordpress.com/post/pureentertainmentpreservationsociety.wordpress.com/2774. I have greatly enjoyed reading your articles.
Yours Hopefully,
Tiffany Brannan
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